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Moshe (b. 1949) grew up in Montreal, Canada, in a religious Jewish family. His musical career has spanned almost 4 decades and his accomplishments encompass a wide range of musical activities, including Composition, Performance, Music Education, and Artistic Direction. He is the founder of the Vancouver Inter-Cultural Orchestra (VICO) and has been a driving force behind the ensemble’s many activities since its inception in the year 2000.

Moshe has studied music extensively, both formally and informally, and for the past 25 years has been engaged in exploring the musical resources of the non-Western world, creating music that challenges musicians of differing disciplines to work together across oral/written cultural divides, and to find a common musical aesthetic. He has traveled worldwide, living and studying in the United States, Israel, India and Japan. From 1986 to 1990 he studied composition with John Celona at the University of Victoria. He has written a large number of works for a variety of instruments from non-Western cultures (East Indian, Chinese, Japanese, Arabic and more), which have been performed and broadcast at festivals and on the radio both in Canada and abroad. He is the recipient of several Canada Council grants and commissions, and was a composer-in-residence at the Banff Centre for the Arts two years running (1991 and 1992). He has a longstanding commitment to Jewish Music education and performance, writing for, performing, and recording with Tzimmes, a Jewish music ensemble he established 20 years ago. He is an associate composer of the Canadian Music Centre, and presently serves as the artistic director of the Vancouver Inter-Cultural Orchestra.

Moshe Denburg (生於1949) 在加拿大蒙特利爾一個猶太家庭長大。他的音樂生涯已經跨越了四十餘年，而他的音樂成就十分廣泛，包括作曲演奏、猶太音樂教育、和鋼琴調音。他曾到世界各地，例如加拿大、美國、以色列、印度和日本居住並學習音樂。1986年到1990年間，他在加拿大維多利亞大學隨John Celona學習

作曲。1987年起，他就致力於跨文化音樂的創作，並將來自不同文化的樂器和音樂傳統結合起来。直到2001年，Denburg先生創立了溫哥華跨文化管弦樂團，實現他自己和其它加拿大作曲家在跨文化音樂工作的理想。他也是加拿大音樂中心作曲家協會的成員。

廣﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽﷽作方面

Moshe Denburg (2001)

The Winged Horses of Heaven - Moshe Denburg (2001)

In 138 BC, the emperor Wudi of the Han Dynasty sent his general Zhang Qian to contact a western tribe to solicit help to fight invaders from the north. After 13 years of arduous journeys, adventures and misadventures, Zhang Qian returned with news of a stronger and faster breed of horse to help in the wars. Thought to be of celestial origin, these now extinct horses were the compelling motivation behind the opening of a permanent route to the west of China and beyond. This work was commissioned by the Orchid Ensemble through the Commissioning of Canadian Compositions program of the Canada Council for the Arts.

The Endless Sands of the Taklimakan - Moshe Denburg (2001)
The Taklimakan is a vast desert in northwestern China that had to be skirted in order for caravans to travel between Kashgar in the west and Chang’an, the ancient capital of China, in the east. This infamous desert, which in Turki means "go in and you will not come out", has been feared and cursed by travelers for more than 2,000 years. The work is meant to be a landscape in sound, moving through several stages and moods: at first quiet and foreboding as the looming desert, and gradual and plodding as a Caravan would surely be. After experiencing the turbulence of a sandstorm all falls silent and distant again, erasing our footprints, leaving only our thoughts to attempt an impress upon eternity. This work was commissioned by the Orchid Ensemble through the Commissioning of Canadian Compositions program of the Canada Council for the Arts.

Road to Kashgar - Moshe Denburg (2001)
This piece is to depict one of the many possible cultural configurations that one may have met within or near Kashgar, the ancient market place and resting point on the Silk Road in northwestern China. As the rhythmic scheme of 7/8 is reminiscent of the music of Persia or India, this particular caravan is likely approaching Kashgar from the West. This piece was commissioned by the Orchid Ensemble with the assistance of the Canada Council for the Arts.

El Adon - Moshe Denburg (2009)

Canada Council for the Arts commission

The theme is based on a mystical hymn, chanted on the Sabbath day: El Adon al Kol Hama-asim (God, Ruler over all Creation). Many mystical and kabbalistic references are found in the text. However, the variations are presented first, and only finally the original theme itself. Therefore, the movements are subtitled as they appear in the hymn, but in reverse order.

I. M'orot

II. Merkava

III. Hayot Hakodesh (Celestial Beings)
IV. Al Kol Hama-asim (Over all Creation)

El Ginat Egoz (Into the Walnut Garden) - Moshe Denburg
Text: Song of Songs - Chapter VI. v. 11; Chapter VII. v. 12-13.

I went down into the walnut garden to see the fruits of the valley, and to see whether the vine flourished, and the pomegranates budded. Come my beloved let us go forth into the field; let us lodge in the villages. Let us get up early to the vineyards; let us see if the vine flourish, whether the tender grape appear, and the pomegranates bud forth: there I will give you my loves.