Lan crosses the lines between classical, contemporary, folk, blues and various ethnic styles, such as Indian, Celtic and Middle Eastern, to expand the horizons of the erhu. Lan has performed with Huun Huur Tu (Tuva), Baka Beyond (UK), Khac Chi Ensemble (Vietnam) and Hossam Shaker (Egypt) and shared the stage with many Vancouver's innovative improvisers, such as Ron Samworth and Coat Cooke. She is a member of Vancouver world music ensemble Tandava, and she has premiered numerous compositions by Canadian and US composers. Trained at Taiwan's Chinese Cultural University, Lan went on to study with erhu virtuosi Jiebing Chen in San Francisco and Zhang Funming in Beijing, with Hindustani violinist Kala Ramnath in Bombay and Egyptian violinist Dr. Alfred Gamil in Cairo. The various influences are evident in Lan's compositions and music arrangements. Lan started classical voice training since she was 12, and she continued at Capilano College and with Joseph Shore in Vancouver. A concert producer and arts administrator, Lan also serves as a board director of the Vancouver Inter-Cultural Orchestra.

Multi-instrumentalist Gelina performs on a wide range of Chinese traditional instruments, including zheng, ruan, yuetqin, pipa, jinhu and jin-erhu. For 20 years she performed with the famous Hubei Chime Ensemble, that performs on reproductions of ancient Chinese court instruments. In 2000, Gelina was a visiting artist at the Smithsonian Institution – Sackler Gallery, representing the Hubei Provincial Museum. In 1992, Gelina formed her chamber ensemble, the Wuhan Women’s Plucked Instruments Ensemble. At Hubei Conservatory of Beijing Opera, she studied various instruments in folk and operatic styles. After graduation, she entered Wuhan Conservatory of Music to study classical Chinese music.  She has toured in the United States, Japan and Singapore, and recorded for film, TV and radio. Since arriving to Canada in 2004, Gelina has become an active performer in Chinese orchestral and chamber ensembles.

Jonathan combines his background in western percussion with a fascination for Asian traditions to create a unique sound palette incorporating a myriad of instruments, techniques and styles. Jonathan's interests span numerous genres from orchestral music to New Music, and World Music. Having premiered over fifty chamber works, Jonathan regularly performs with the Orchid Ensemble, Vancouver New Music, Four Gallon Drum, Ensemble Symposium, and numerous orchestras including Vancouver, Victoria, National Ballet and CBC Radio Orchestras. He is currently the principal percussionist with the Vancouver Island Symphony. Jonathan's interest in World Music has led him to perform Chinese, Javanese, Balinese and Korean music and study traditional and contemporary Chinese percussion in Beijing, China. Jonathan has toured throughout North America, Europe and Japan.